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Classical Voice North America
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Around the U.S.
Smart Trifecta Of Fresh Operas Takes The Stage (Make That Parking…
Summer Fests: In East, Bard Turns Spotlight On Nadia Boulanger Legacy
Spoleto Caps An Era With Lively Jolt of New Works and…
Summer Fests: Diverse Artists, Beethoven Take Center Stage In West
Summer Fests: Warm Air Renews Its Familiar Lure Across Midwest
Canada
In Virtual Competition, 26 Pianists Vie From Keyboards Flung Afar
At Each New Hearing, Young Conductor’s Art, Promise Shine Brighter
Nézet-Séguin Flashes Piano Skills In Concert Scaled For Pandemic
Montreal Looking. Conductor Arrives, Ready But Rough
‘Turandot’ Frocked In Minimal Look: Near Nothingness
World
Juilliard Turns Table, Creates Splendid New Music School in China
Australian Music Fest Offers Contemplation Amid Nature’s Realm
Anthology Recaptures ‘Charm, Distinction’ Of Soprano Lotte Schöne
Singing In Mandarin, Or A Vocalist’s Guidebook To Minefield Survival
Out of ‘Thin Air’ Came Rich, Fresh World Of Musical Connections
Digital
Nobility, Power, Sheen: Vänskä And Minnesota Cycle Through Sibelius
One Pianist’s Rising Sun Streams A Fresh Light On Black Composers
Crossover Song Cycle Dresses Sacred Harp Legacy In New Threads
Virtuosity Rekindled: Neglected Pianists Blaze Anew On CDs
Brisk Beethoven Ninth By Honeck, Pittsburgh Goes To Spiritual Core
Perspectives
But Was He Happy? This Biography Of Mozart Makes A Case…
Tenor Parlays His Craft In Dual Aid To Students, Emerging Professionals
Sleuths Pursue Chopin As Genius And Enigma Across Pages Of Time
Composer Schwantner, Marching To His Own Drum, Chimes, Crotales
Risen To New Visibility, Black Composers Now Face Test Of Longevity
Our Critics’ Picks
Berliners Conjure Gold From Musical Pantheon Of Weimar Twenties
Pärt’s New Voice Emerges On Disc Of Recent Works
‘Dido’ In COVID: Intimacy On Film, At A Safe Distance
Obscure Telemann Opera ‘Miriways’ Sparkles On Disc
Blaze Of Fanfares, With A Solo Twist, Recaptures Legacy
Home
2019
Apr
5
Daily Archives: Apr 5, 2019
Old French Delight Is Polished Anew By Opéra Comique
Susan Brodie
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April 5, 2019
PARIS – The famed company has scored a 21st-century hit with a former company staple not seen in Paris for 125 years: Adolphe Adam’s
Le Postillon de Lonjumeau.
American tenor Michael Spyres' solid high D secured the stylish enterprise.
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