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Classical Voice North America
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Around the U.S.
Edging Into Concerts, Seattle Symphony Puts Twin Tasks On Barnatan
As Pandemic Retreats, Chicago’s Lyric Opera Plans Epochal Restart
Fabio Luisi Migrates From Opera World To Ample Orchestra Life
On Foot And In Song, Retracing Stony Course Of Blacks In…
SF Opera Outdoors: Rossini Gets Big Stage As ‘Barber’ Gets…
Canada
In Virtual Competition, 26 Pianists Vie From Keyboards Flung Afar
At Each New Hearing, Young Conductor’s Art, Promise Shine Brighter
Nézet-Séguin Flashes Piano Skills In Concert Scaled For Pandemic
Montreal Looking. Conductor Arrives, Ready But Rough
‘Turandot’ Frocked In Minimal Look: Near Nothingness
World
Juilliard Turns Table, Creates Splendid New Music School in China
Australian Music Fest Offers Contemplation Amid Nature’s Realm
Anthology Recaptures ‘Charm, Distinction’ Of Soprano Lotte Schöne
Singing In Mandarin, Or A Vocalist’s Guidebook To Minefield Survival
Out of ‘Thin Air’ Came Rich, Fresh World Of Musical Connections
Digital
Nobility, Power, Sheen: Vänskä And Minnesota Cycle Through Sibelius
One Pianist’s Rising Sun Streams A Fresh Light On Black Composers
Crossover Song Cycle Dresses Sacred Harp Legacy In New Threads
Virtuosity Rekindled: Neglected Pianists Blaze Anew On CDs
Brisk Beethoven Ninth By Honeck, Pittsburgh Goes To Spiritual Core
Perspectives
Composer Schwantner, Marching To His Own Drum, Chimes, Crotales
Risen To New Visibility, Black Composers Now Face Test Of Longevity
Berliners Conjure Gold From Musical Pantheon Of Weimar Twenties
Radio Host Is Bridging Gap Between Blacks, Classical Music World
Alone With Stravinsky: In His Closing Silence, Echo Of ‘Sacre’ Raged
Our Critics’ Picks
Berliners Conjure Gold From Musical Pantheon Of Weimar Twenties
Pärt’s New Voice Emerges On Disc Of Recent Works
‘Dido’ In COVID: Intimacy On Film, At A Safe Distance
Obscure Telemann Opera ‘Miriways’ Sparkles On Disc
Blaze Of Fanfares, With A Solo Twist, Recaptures Legacy
Home
2017
Feb
6
Daily Archives: Feb 6, 2017
Around the U.S.
New Met ‘Rusalka’ Reflects Tradition In Surreal Images
James Paulk
-
February 6, 2017
By James L Paulk
NEW YORK – Spooky! Mary Zimmerman’s new production of Dvořák’s
Rusalka
starring Kristine Opolais at the Met is a twisted hybrid bordering on a parody of convention. If capricious and confusing, it's also beautiful and intriguing.
Read more
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