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Around the U.S.
SF Opera Outdoors: Rossini Gets Big Stage As ‘Barber’ Gets…
Drive-Thru ‘Twilight’ Whittles Wagner’s Epic To Garagiste Opera
In A Pandemic Dance, Music Festivals Across U.S. Venture To Reopen
Live Concert Invoking Chants Takes Listener Back To Time Before
Max Steiner: Enduring Master Of Movie Music In Hollywood’s Heyday
Canada
Nézet-Séguin Flashes Piano Skills In Concert Scaled For Pandemic
Montreal Looking. Conductor Arrives, Ready But Rough
‘Turandot’ Frocked In Minimal Look: Near Nothingness
Under Fresh Sail, ‘Flying Dutchman’ Displays A Heart
Crusader, Curator: Attuned Composer Reaches Milestone
World
Juilliard Turns Table, Creates Splendid New Music School in China
Australian Music Fest Offers Contemplation Amid Nature’s Realm
Anthology Recaptures ‘Charm, Distinction’ Of Soprano Lotte Schöne
Singing In Mandarin, Or A Vocalist’s Guidebook To Minefield Survival
Out of ‘Thin Air’ Came Rich, Fresh World Of Musical Connections
Digital
One Pianist’s Rising Sun Streams A Fresh Light On Black Composers
Crossover Song Cycle Dresses Sacred Harp Legacy In New Threads
Virtuosity Rekindled: Neglected Pianists Blaze Anew On CDs
Brisk Beethoven Ninth By Honeck, Pittsburgh Goes To Spiritual Core
Blue Heron Explores French Secular Songs From The 15th Century
Perspectives
Alone With Stravinsky: In His Closing Silence, Echo Of ‘Sacre’ Raged
Opera Artists, Critics Peer Into The Future: Watch Now Via Zoom
Chamber Music Series Casts Revelatory Light On Black Composers
Seeking Humanity Amid Operas That Wax Humanitarian
Koh Caps Her Bach Project With Links To Berio, Harbison
Our Critics’ Picks
Pärt’s New Voice Emerges On Disc Of Recent Works
‘Dido’ In COVID: Intimacy On Film, At A Safe Distance
Obscure Telemann Opera ‘Miriways’ Sparkles On Disc
Blaze Of Fanfares, With A Solo Twist, Recaptures Legacy
Critics’ Choice: Video Treasures Historic And Novel
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2014
Dec
5
Daily Archives: Dec 5, 2014
Around the U.S.
‘Die Meistersinger’: Evening-Length Glory At The Met
Judith Malafronte
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December 5, 2014
By Judith Malafronte
NEW YORK - James Levine's clear and buoyant reading of Wagner's only comedy led an evening of glorious music-making, firmly anchored by the splendid Met orchestra and chorus, as Otto Schenk's 1993 production began its final run.
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